AWARDS
Olivier Award for Outstanding Achievement in an Affiliate Theatre – Rotterdam, 2017
Jocelyn Herbert Award for Scenography: Winner, 2005
Linbury Biennial Prize: Finalist, 2011
Arts Foundation Award: Nominee, 2012
TRAINING
Doctoral Researcher for PhD: Performance, Gender, Queer Studies – University of Brighton, under Dr. Kate Aughterson – current
Motley Theatre Design Course, 2010 – 2011
BA(Hons) First Class, Costume Design – Wimbledon School of Arts, 2001 – 2004
E.M. Parry’s designs for the 2018 Shakespeare’s Globe production of As You Like It were selected for exhibition in the V&A’s Staging Places exhibition celebrating the work of contemporary British scenographers, subsequently shown at the National Centre for Craft & Design.
CURRENT & FORTHCOMING PROJECTS:
THE TEMPEST – Regent’s Park Open Air Theatre, summer 2023, dir. Jennifer Tang – costume design
SELECTION OF PAST PRODUCTIONS
PRODUCTION | COMPANY | DIRECTOR | NOTES |
---|---|---|---|
2022 | |||
AN IMPROBABLE MUSICAL | IMPROBABLE CO. / ROYAL & DERNGATE THEATRE, NORTHAMPTON, TOURING | Dir. Lee Simpson, Angela Clerkin | set and costume design |
AS YOU LIKE IT | NORTHERN BROADSIDES / NEW VIC NEWCASTLE-UNDER LYME, TOURING | Dir. Laurie Sansom | set and costume design |
THE GRETCHEN QUESTION | FUEL | Dir. Melly Still | set and costume design |
2021 | |||
DORIAN | READING REP. | Dir. Owen Horsley | set and costume design |
2019 | |||
AS YOU LIKE IT | SHAKESPEARE'S GLOBE, LONDON | Dir. Federay Holmes & Elle While | set and costume design |
TRANSLYRIA | SOGN OG FJORDANE TEATER, NORWAY | Dir. Frode Gjerlow | set and costume design |
WE DIG | EMMA FRANKLAND & CO. // OVALHOUSE THEATRE, LONDON | created and performed by Emma Frankland, Travis Alabanza, Morgan M. Page, Tamarra, Gein Wong | set design, costumes in collaboration with Prinx Lydia |
THE STRANGE UNDOING OF PRUDENCIA HART | NEW VIC THEATRE, NEWCASTLE-UNDER-LYME | Dir. Anna Marsland | set, costume & projection design |
ROTTERDAM | NATIONAL TOUR | Dir. Donnacadh O’Briain | set and costume design |
2018 | |||
GRIMM TALES | UNICORN THEATRE, LONDON | Dir. Kirsty Housley | set and costume design |
AS YOU LIKE IT | SHAKESPEARE'S GLOBE, LONDON | Dir. Federay Holmes & Elle While | set and costume design |
HAMLET | SHAKESPEARE'S GLOBE, LONDON | Dir. Federay Holmes & Elle While | set and costume design |
SKETCHING | WILTON'S MUSIC HALL | Dir. Thomas Hescott | set and costume design |
EFFIGIES OF WICKEDNESS | ENGLISH NATIONAL OPERA / THE GATE, LONDON | Dir. Ellen McDougall | set and costume design |
ROTTERDAM | ARTS THEATRE, LONDON | Dir. Donnacadh O’Briain | set and costume design |
2017 | |||
BELONGINGS | GLYNDEBOURNE | Dir. Lucy Bradley | world premiere of youth opera by Lewis Murphy and Laura Attridge set and costume design |
ROTTERDAM | ARTS THEATRE, LONDON 59E59 THEATERS, NEW YORK | Dir. Donnacadh O’Briain | Olivier Award Winner set and costume design |
2016 | |||
PETER PAN | NORTHCOTT THEATRE, EXETER | Dir. Paul Jepson | set and costume design |
GIANT | ZOO-CO THEATRE, TOURING | Dir. Flo O'Mahony | set, costume and puppet design |
HERE I BELONG | PENTABUS THEATRE, TOURING | Dir. Elizabeth Freestone | set and costume design |
2015 | |||
THE MAGNA CARTA PLAYS | SALISBURY PLAYHOUSE | Dir. Gareth Machin | set, video and costume design |
ROTTERDAM | THEATRE 503 | Dir. Donnacadh O’Briain | set and costume design |
LESERE | JERMYN ST THEATRE | Dir. Donnacadh O’Briain | set and costume design |
SNOW WHITE | LONDON CHILDREN'S BALLET | Choreographer Joanna Lee | set design |
ELECTRIC | THE BIG HOUSE, THE RIO - DALSTON (SITE-SPECIFIC) | Dir. Maggie Norris | set and costume design |
POSH | NOTTINGHAM PLAYHOUSE AND SALISBURY PLAYHOUSE | Dir. Susannah Tresilian | set and costume design |
MILKED | PENTABUS, SOHO THEATRE AND TOURING | Dir. Elizabeth Freestone | set and costume design |
2014 | |||
EACH SLOW DUSK | PENTABUS THEATRE, TOURING | Dir. Elizabeth Freestone | set and costume design |
THE NIGHTMARES OF CARLOS FUENTES | THE ARCOLA THEATRE, LONDON | Dir. Nicholas Kent | set and costume design |
LIKE A MOTH TO A FLAME | DUDELANGE THEATRE, LUXEMBOURG | Dir. Catherine Kontz | set and costume design |
EL NINO | MEMMINGER THEATRE, SPOLETO FESTIVAL, USA | Dir. & designed by John La Bouchardiere | associate set designer |
2013 | |||
NEIGE | GRAND THEATRE DE VILLE, LUXEMBOURG | Dir. Catherine Kontz | set and costume design, video design (with Timothy Bird) |
NOYE'S FLUDDE | SOUTHBANK CENTRE | Dir. Olivia Fuchs | set and costume design |
SOMEONE WHO'LL WATCH OVER ME | THEATRE CHIPPING NORTON | Dir. Caroline Leslie | set and costume design |
THE SECRET MARRIAGE | BRITISH YOUTH OPERA | Dir. Martin Lloyd Evans | set and costume design |
THE MISER | THE WATERMILL THEATRE | Dir. Nancy Meckler | set and costume design |
A MIDSUMMER NIGHT'S DREAM | TOOTING ARTS CLUB | Dir. Bill Buckhurst | set and costume design |
I LOMBARDI ALLA PRIMA CROCIATA | U.C. OPERA, BLOOMSBURY THEATRE | Dir. Jamie Hayes | set and costume design |
2012 | |||
THE WIND IN THE WILLOWS | THE BREWHOUSE THEATRE | Dir. Robert Miles | set and costume design |
WITHOUT YOU | MENIER CHOCOLATE FACTORY | Dir. Steve Maler | production design (co-design with Timothy Bird) |
OPERA SCENES | GUILDHALL | Dir. Martin Lloyd Evans | set design |
OTHER HANDS | RIVERSIDE STUDIOS AND TOURING | Dir. James Bounds | set and costume design |
GREAT EXPECTATIONS | ROYAL COLLEGE OF MUSIC | Dir. Bill Bankes Jones | set and costume design |
DON JUAN COMES BACK FROM THE WAR | FINBOROUGH THEATRE | Dir. Andrea Ferran | set and costume design |
SENSE AND SENSIBILITY, TENNISON'S QUIRK, | YVONNE ARNAUD THEATRE, GUILDFORD, AND NATIONAL TOUR | Dir. Helen Tennison | set and costume design |
2011 | |||
PIPPIN | MENIER CHOCOLATE FACTORY | Dir. Mitch Sebastian | associate set designer to Timothy Bird |
THE FAIRY QUEEN | BRIGHTON EARLY MUSIC FESTIVAL, BRIGHTON THEATRE ROYAL | Dir. Susannah Waters | set and costume design |
CARMEN | COMMUNITY PRODUCTION PRODUCED BY CITY MUSIC SERVICES, SADLER'S WELLS | Dir. James Hurley | set and costume design |
2010 | |||
ELECTRIC HOTEL | FUEL PRODUCTIONS IN ASSOC. WITH SADLER'S WELLS,SADLER'S WELLS OFFSITE AND NATIONAL TOUR | Dir. David Rosenberg | costume design |
GUTTED - A REVENGER'S MUSICAL | ASSEMBLY PRODUCTIONS, THE ASSEMBLY ROOMS, EDINBURGH | Dir. Chris George | set and costume design |
PLUCKER | NYLON PRODUCTIONS, SOUTHWARK PLAYHOUSE | Dir. Anna G. Jones | costume design |
KATY BRAND'S BIG ASS SHOW LIVE, JUST FOR LAUGHS | LEICESTER SQUARE THEATRE AND NATIONAL TOUR | Dir. Ed Dick | set design |
ALBERT HERRING | TRINITY OPERA, BLACKHEATH HALLS | Dir. Bill Bankes Jones | set and costume design |
MOONFLEECE | SUPPORTING WALL, NATIONAL TOUR | Dir. David Mercatali | costume design |
THE MAGIC FLUTE | COMMUNITY OPERA, GLYNDEBOURNE | Dir. Andrew Leveson | set and costume design |
KISS ME KATE | STRATFORD SHAKESPEARE FESTIVAL, ONTARIO | Dir. John Doyle | assistant costume designer (designer: David Farley) |
2009 | |||
PLACEBO | EUROPEAN TOUR - STAGE PROJECTIONS, CREATED BY KNIFEDGE LTD | art direction | |
ODE TO MY SISTERS, IMAGES OF ELSEWHERE | NATIONAL TOUR | set and costume design | |
SCHADDENSPIELE, MISTRESS OF TIME | RIVERSIDE STUDIOS | Dir. Roswitha Gerlitz | set and costume design |
A LITTLE NIGHT MUSIC | MENIER CHOCOLATE FACTORY PRODUCTIONS, BROADWAY TRANSFER | Dir. Trevor Nunn | costume design assistant (designer: David Farley) |
AS YOU LIKE IT | HEARTBREAK PRODUCTIONS, NATIONAL AND EUROPEAN TOUR | Dir. Peter Mimmack | set and costume design |
GIUSTINO | TRINITY OPERA CO, OLD ROYAL NAVAL COLLEGE CHAPEL, GREENWICH | Dir. Olivia Fuchs | set and costume design |
THE MISSIONARY'S POSITION | PENNY DREADFUL PRODUCTIONS, TOURING NATIONALLY | Dir. Mick Barnfeather | set design |
OKLAHOMA!, | CHICHESTER FESTIVAL THEATRE | Dir. John Doyle | assistant costume designer (designer: David Farley) |
2008 | |||
POT NOODLE THE MUSICAL | MOTHERVISION PRODUCTIONS, ASSEMBLY ROOMS, EDINBURGH | Dir. David Sant | set and costume design |
INGRAINED DEEDS | OPERA DRAWNFORTH, RIVERSIDE STUDIOS | set and costume design | |
THE PINK BEDROOM | UNSPOKEN PRODUCTIONS, COURTYARD THEATRE | Dir. Brian Timoney | costume design |
2007 | |||
THE SYSTEM OF DR TARR & PROF. FETHER | PUNCHDRUNK COMMISSION FOR MASQUE OF THE RED DEATH, B.A.C. | Dir. Claire Davies | set and costume design |
TERROR SEASON 2007 | THE STICKING PLACE, SEASON | Dir. Sarah Chew, Tamara Harvey, Adam Megiddo, Ben de Wynter | set and costume design |
FIVE | DARLINGTON ARTS CENTRE AND TOURING | Dir. Kitty Winter | set and costume design |
SHALL WE DANCE? | RAGROOF THEATRE CO, REGIONAL TOUR | Dir. Flick Ferdinando | costume design |
CARMEN | BLACKHEATH HALLS | Dir. Bill Bankes Jones | set and costume design |
LES DIALOGUES DES CARMELITES | TRINITY OPERA, BLACKHEATH HALLS | Dir. Bill Bankes Jones | set and costume design |
A BLOODLESS FIELD | METAL & BONE PRODUCTIONS, THE OLD OPERATING THEATRE | Dir. Ellen Hughes | set and costume design |
GIN & SATSUMAS | LEVANTES DANCE THEATRE, TOUR | scenography and costume design | |
2006 | |||
MIE | CATHERINE KONTZ PRODUCTIONS, THE SPACE | set and costume design | |
ELSIE PIDDOCK SKIPS IN HER SLEEP | PADDOCK PRODUCTIONS, REGIONAL TOUR | Dir. Susannah Waters | set and costume design |
AFTER HAGGERTY | THE FINBOROUGH | Dir. Kirsty Housley | set and costume design |
RITUALS BEFORE THE END OF TIME | LUNDAHL & SEITL CO-LABORATORY, THE PLACE | set and costume design | |
2005 | |||
HELL IS EMPTY | ALLGOOD THEATRE, THE SPACE | Dir. Adam Hemming | set and costume design |
SUDDEN SILENCE | THE ARCOLA | Dir. Ellen Hughes | set and costume design |
THE STATE OF MIND OF GHOSTS | LADY INERT IN ASSOC. WITH THE SOCIETY OF WONDERS, CHELSEA THEATRE | set and costume design | |
BILLY, BRIAN | BATTERSEA ARTS CENTRE | set and costume design | |
INCIPIENT IMPEDIMENT | LADY INERT, NATIONAL REVIEW OF LIVE ART, GLASGOW | costume design | |
THE RACE | GECKO, BATTERSEA ARTS CENTRE AND INTERNATIONAL TOUR | costume design | |
JACQUES & HIS MASTER | ALLGOOD THEATRE, THE WHITE BEAR | set and costume design | |